THOMAS SULLIVAN: CONFESSIONS FROM THE BULLY PULPIT OR HOW TO GET NAKED IN FRONT OF AN AUDIENCE AND NOT BE NOTICED
Several of my colleagues have written on the specifics of teaching, and I thought I’d address the soul-searching panic that can befall anyone who suddenly finds themselves called upon to give a speech, teach, or advise. Doesn’t matter whether it’s a single person asking you for advice or a trumped-up forum in which the local library has decided you should entertain the patrons at their monthly soiree, the pitfalls are the same. It can come as a shock when you realize that something you’ve done has settled a mantle of presumed wisdom on you – wisdom you don’t have. You may decide to hide, fake laryngitis, or – if you are one of those confident but lonely types – tell your life story…again. If the request comes at you enough times, however, guilt is likely to turn you inside out searching for messages and honest value in your life.
And if you’re kicking around the scene at the pro level, you will face this. The first time you are introduced with shameless adjectives to a friendly audience, you may get a little intoxicated with the attention. But you know, the reality is that YOU are not being adulated and this isn’t perfect justice arriving on Earth for you as you and your mother always knew it would. This is people who are interested in something you represent, and they are willing to give you a hearing. They want to know what you have to say. And you do have something to say. At a minimum, the route you took in your own idiosyncratic life is a path that may offer clues to others. If you have a little pizzazz or can abstract your own “This is what I did” story into abstract components, all the better. And if you can actually start to analyze your audience and customize what you say to who they are – in other words give them the attention you want – you really will come off acquitted in the eyes of God. I don’t care which religious or non-religious handle you give God, or what non de plume, for that matter, there is a survival imperative for all of us to leave the world better than we found it. That’s your own personal ledger, and it can be accomplished in quiet and anonymous ways, but hey, you’re a writer. You already went “splash.” So ride that wave ashore and try not to drown any sand castles.
It may happen spontaneously, so trust yourself to be spontaneous. Scripted works less well. I’m not saying you won’t fall into buzzwords or repeating whole tracts verbatim. If you are called upon to teach enough times, you will. The most important thing, though, is to remember that you are first of all a student. You have to keep learning and adapting to everything around you. You have to value what there is to learn from others, even if it’s simply from observing them. Everyone is a teacher because they are part of life. If you don’t remember that, you WILL become irrelevant, and your irrelevancy will be all you have to teach: dead, static moments that were true for you at one point in your existence but quite possibly no longer are.
Contrary to what you might think, I’m an extremely private person who has lived virtually alone his entire life. I grew used to showing different aspects of myself in different settings, and never my total self to anyone – incredibly, I never let my guard down until this past year when I met someone so natural to me that it just happened. So I didn’t know who to be in front of a large audience. Used to bother me that I’d see a lot of the same people showing up for my stump speeches before widely disparate (or was it desperate) groups. I knew damn well I was saying some of the same things, word for word, same zingers. But kind listeners always swore that it was different, and one time someone told me, “…you’re different.” That stuck with me. I still don’t know exactly what that means, but I’ve come to trust it a little. I think people tune into energy (or lack of same) as well as optimism, and as long as you’re you, energy and optimism will convey as much as specific words. Yeah, I have up days and down. And every day I yearn for solitude, or something shared only with a soulmate, but if you focus on the audience – SINCERELY – you will come up to the task. They will motivate you. So even if you are repeating humongous sermons word for word, those will likely resonate, if you repeat them from the heart and not the head. And if you are focused on the individuals listening, what you say will vary, because you will adapt to them.
The more speaking you do, the easier it gets. In fact, you may find it becomes almost a reflex. Not didactic exactly, but more enthusiastic, sort of cajoling, purposeful though not taking itself too seriously. It can intimidate the hell out of you, if it catches you by surprise. You are holding forth one on one somewhere in public – a ski rental room, a restaurant, waiting in a doctor’s office – and suddenly you realize others are listening, people passing through are staying, or there might be just a hint of theater-like concentration. Either they are thinking, “Who does this asshole think he is?” or they are finding what you say more interesting than the Ranger Rick magazine they are reading while waiting for the sawbones to see them. Take it in stride. Remember, it’s not about you. Not unless you get carried away with yourself. In which case, everyone will know soon enough. So do your thing. Don’t be afraid to give. If you have no value, you’ll have no audience. And if you do have an audience, keep an objective distance from it.
There is a downside to this, I should tell you. It may drain you and – curiously – leave you lonely. Hmm. I should probably stop right here and draw the curtain. Consider this the advanced footnotes the author should have thrown away. But I’ve pondered long and hard as to why I always feel alone after I climb down from a soapbox. Of course, the answer may be as simple as, “Well, dummy, you DID stand on a soapbox – how was the air up there?” But even when the reaction is effusively kind, I feel that way. Maybe it’s an individual thing, but I want to believe it’s because I’m doing it for the right reasons. If I’m pedaling myself, my ego, it never works. Lots of experience with pedaling my ego. But if I’m truly trying to give, I forget myself, and in the aftermath I feel like I wasn’t there. This is absolutely the most valuable thing that could happen to you if you want to honestl
y give – forget yourself, do not be there. But you may pay that price afterward, as I do. Maybe that’s because the ego comes rushing back, all your little fantasies of personal acceptance and fulfillment. Or maybe it’s because you’ve just parsed yourself out, played the prostitute, and now you’re faced with the hard fact that no one knows what you’re really like. That’s what you need a soulmate for. Someone interested in and capable of understanding the unique you. God help the audience if they have to play that role. We’ve all sat through captive classes run by such needy souls, have we not? An audience can give you the delusion that you have recouped the frustrations and compromises of an incomplete life. So maybe that’s the touchstone as far as knowing if you did a good job speaking, i.e., if you don’t feel just a tad lonely and isolated afterward, you were probably wallowing in the rapport instead of the needs of the audience. I’ll take that limitation. I think a lot of entertainers get lost in the interaction. The audience becomes their soulmate. But it only lasts as long as the cameras role, the disks spin, or the footlights remain on. Then they go looking for themselves and are disappointed. It’s a lonely world.
Which brings me full circle to the point I tried to make about remaining a student. I don’t want to reach a destination. Soon after we become adults, most of us seem to anchor on a plateau inside ourselves where life doesn’t expand, and there we resign our futures to the slow ravages of time. It’s as if we get tired of looking for answers and just grab up whatever is in our lives at the moment, declaring, “I’m there.” I guess that’s security for some, but not for me. My security is in not running out of momentum or directions. And I don’t need to move very far to find both. I just have to continue to explore the world wherever I am – rather thoroughly. The universe truly is in a grain of sand. An audience is part of that. It is not a reward conferred upon you, not something permanent, not as meaningful or satisfying as a soulmate. It is more like a resting point, a place to pause and reflect for perspective. So is writing, for that matter. Actual living stops when the words pour out of you. Words are a summation of what you do and know – the long shadows and bright reflections of everything you see and explore. Have you lived today? Open a window and get some air, or come outside and breathe!
Thanks for reading. Your thoughts are welcome, your attention valued. My web site is below. If you’d like to see more of my writing, please check out the free sample chapter from my latest novel, THE WATER WOLF. And if you’d like to receive the monthly newsletter, ask to be added to the list at: mn333mn@earthlink.net
Thomas “Sully” Sullivan
http://www.thomassullivanauthor.com/
As usual, a sterling exposition. But my ear detects a tinny note. I’ve heard yout talk to groups. Brilliant pieces, all. Yet most of the time what you talk on are things–your last story, the process of writing,ideas and opinions–rather than about yourself. The focus here, though, seems to be about talkers talking about self. I think you get closest to the real message in your afterthoughts where you advocate endless exploration. That’s the Sully I know.
Frank
When my mouth opens it covers my eyes and ears. Absolutely dense as far as perceiving how other people perceive me. It’s really almost funny. But I ain’t laughin’. Thanks for the perspective, Flamingo Frank.
– Sully (Thomas Sullivan)
You sound like a vehemently happy man–a strange
juxtaposition of words, but that’s what came to
mind. Oh for a rainy day. –Desert Rat
Vehemently happy. Hmmm. I try. And I know exactly what would make my life bliss. But I’m a long way from that.
– Sully (Thomas Sullivan)
Hope you’re not concerned about showing “different aspects” of yourself in different settings. I don’t know what they’re teaching in shrink schools these days; but, when I was attending, that phenomenon was illustrated using circles, each labeled with an aspect, for example, the intimate person aspect, the at-work person aspect, the at-home person aspect, the isolated person aspect, etc. The circled overlapped — some quite a bit, some only minimally. The message being illustrated was that everyone has many aspects that overlap and that are indeed responsive to their settings.
If your security is in not running out of momentum or directions, you can relax. I can’t imagine you ever running out of either. Some day I’ll apply for a patent on your perpetual motion aspect person.
Thanks for the thoughtful and introspective essay.
Amalgam
Well, damn, I’m getting some wonderful psychoanalysis here. “Perpeptual motion aspect” of me? Another blindsiding glimpse of myself to go with Flamingo Frank’s. Friend of mine not too long ago mentioned my “energy.” Think I’ll go do some jumping jacks… Thanks, Amalgam.
– Sully (Thomas Sullivan)
Sully,
I didn’t plan to be psychoanalytical; but, whenever I think of you, I always picture you in motion.
Amalgam
Slo mo or fast? Like Jack London, I’d rather be ashes than dust.
– Sully (Thomas Sullivan)
Ha…you made me laugh by putting me back into that day when I first got stuck in front of the “milling crowed” – it was the Leigh Valley Writer’s Association. I had been invited as “Keynote Speaker,” which I didn’t fully appreciate the import of until it was time to get up in front of all those people and speak on key notes and such…
I could have hit a flat, but ended up sharper than expected.
I had a sudden epiphany, and I followed it. I told them how I’d gotten there – I sold a novel to a small press that never published it. On the face of that, and a paragraph synopsis (and with luck on my side) I sold a Star Trek Voyager novel…with THAT in hand, I sold a trilogy and a stand-alone novel to White Wolf on proposals….and suddenly I had sold six novels, only written one of them, and none was yet in print.
It was funny, and I’ve never yet been able to repeat it. I also told them how I live my ideas, and tossed out what became my cornerstone speech anchor…the story of a weird house near Beth Massie’s old farm in Waynesboro, VA – and the Commune of musicians who lived there.
Since then, I’ve learned to have something planned…
DNW
Novels by the half dozen! Sounds sound to me. ‘Tis funny. I also think you are perfect for a spontaneous format. Q and A would be your thing because you have substance and range.
– Sully (Thomas Sullivan)
Q & A is the only way that works for me, which
is why I stopped speechifying and teaching
when my hearing went wherever hearing goes.
–Janet
You should take your wisdom out from under the bushel basket. Let the audience submit written questions before you start…
– Sully (Thomas Sullivan)
For me, it’s a matter of not being able to STOP talking (lol)…
“Be gentle with yourself. You are a child of the universe, no less than the trees and the stars. In the noisy confusion of life, keep peace in your soul.”-Max Ehrmann
I read that recently and wanted to share it with you. I hope in all of your giving to others you also give to yourself. Give to yourself from the most beautiful and peaceful part of you. Immerse yourself in the truth, grace and wonder that you radiate. Do this and you will experience bliss more complete than any happiness your soulmate could bring you.
Well, I’m a long way from bliss of any kind, but I thank you for the sentiments. And I recognize the quote from Desiderata, which I’ve always cherished. Anonymous? Who is that masked person?
I especially like the lines right before the ones you quote:
“Be yourself. Especially do not feign affection.
Neither be cynical about love,
for in the face of all aridity and disenchantment,
it is as perennial as the grass.
Take kindly the counsel of the years,
gracefully surrendering the things of youth.
Nurture strength of spirit to shield you in sudden misfortune.
But do not distress yourself with dark imaginings.
Many fears are born of fatigue and loneliness.
– Sully (Thomas Sullivan)
No puzzle about why anyone would like those lines, mon ami. Good stuff indeed.
Amalgam