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Posts Tagged ‘dreams’

Thomas Sullivan: A BULLET IN THE BRAIN, A KICK IN THE TEETH, AND OTHER ORGASMS

June 16th, 2010 16 comments

Used to be that my muse had to put a bullet in my brain to get my attention.  Now I can hear the gun cock.  Hell, sometimes I hear the barrel clearing leather.  All by way of saying that recognizing where stories come from is an acquired skill.

Yes, you can take the shortcut just by living on the edge, thus making your life full of ready-made dynamic tales.  Climb Mount Everest.  Smuggle exotic pets across borders in your underwear.  Absolutely.  But if you open your eyes, mind, heart and soul to the every-day poetry and the magic all around you, you’ll find fragments of stories by the long ton that need only imagination to come together with sweeping wisdom and consummate beauty.  That’s only the circumstantial part of it, of course.  You still have to see the meanings, the patterns, the connections to larger life before a story will emerge.  By any name this is insight.  We all know people who have insight and people who don’t — those who can travel all around the world but go nowhere, and those who travel nowhere but still seem to grasp the world as seen through a microscope and the universe as seen through a telescope, plus the hidden stuff as it might be exposed by an MRI and a digital x-ray.  Making yourself into the latter is the ultimate enhancement to a writer and the ultimate enrichment to life.

It starts with getting outside of yourself.  That’s because the world wants ever so much to put on appearances for you.  And because when we take everything as a reflection on ourselves, we become blind to most of what is out there.  It isn’t about you.  It’s about what is really there.  So if you want to see the world in all its vignettes and sagas, you have to step beyond your own limitations.  That’s trickier than what you might think.  But there are three things you can will yourself to bring to the table that will help in your quest.  COURAGE will get you off the dime and out the door.  If you’re afraid of losing your comfort zone or are paralyzed by doubt, you need this.  BELIEF has the power to motivate as well as to deliver a positive outcome from the sheer force of its charisma.  If you don’t believe there is magic all around you, you’ll never see it.  And ENERGY is simply your guarantee against giving up before you do see it.  Energy never accepts failure and never stops connecting the dots. 

This is mind control.  Yours.  You can condition yourself to almost anything — believing something, feeling something (or not believing and not feeling something) — so will your self through the early stages until habit makes it easier.  Yeah, that’s dishonesty, but it’s dishonesty of method not of reality, like stowing away in an empty freight car to get to a very real destination.  If what you discover doesn’t make you a true “believer,” you can always ride the cattle car back.  When you become that relatively free and objective person you want to be, you will have the insight and empathy to be the writer you want to be as well.

Okay, insert example.  Cannibal Essay time.  For newer readers, cannibal essays are peeks at the conversion of facts into fiction, that process or method by which one learns to put frames around every-day reality, i.e. recognizing stories as stated above.  Here’s how it worked for me last week:

Tuesday evening and I’m shrinking.  What’s my motivation, what’s my motivation?  I am pissed.  Trying to train for 13 days of sea kayaking in Tonga, but it’s been so windy all week that all I see are little dogs named Toto flying out of Kansas on the way to Duluth.  And now a genuine storm is threatening.  The weather has me under siege, trapped in my own little world of narrow perceptions and expectations.  Then I remember, open your eyes, mind, heart and soul, Sully – courage…belief…energy.  Overcome the obstacles.  Seize the minus and make it a plus.  The best roads are always detours. 

The impulse becomes a resolve, and I’m out the door, carrying my canoe to the lake shore.  My neighbor, who is battening down a patio umbrella, hollers a warning, to which I reply that I’m going after Somali pirates.  He has his own little world of preparation — his own story worthy of note.  And so does every other living thing I encounter.  The sky is dead calm — like the eye of a hurricane — but even the least reasoning creature around me knows what is coming.  White herons settle like snowflakes in the distant lees of larger trees, turtles slip into the water, a lone swallow arrows for the sanctuary of a bridge, a fish, oblivious to it all, takes a last foolish insect that has not headed for the underside of a leaf or tall grass on the banks.  What is my strategy for survival?  Why am I not following some predictable pattern?  I am odd man out.  A little adrenaline rush comes out of that, some minor risk, but also perspective.  An irresistible force, deeper than instinct, is driving all populations in a single direction, countermanding all routines, usurping evening rituals, unifying unlike things to an overriding purpose — survival

Excitement spikes my heart, and I can taste the iron in my blood.  Yes, I could have hunkered down in my sterile bunker , but I am out here, moving with the herds and flocks and swarms, taking my chances, believing in mortal things again and in imminent adventure.  More importantly, I am privy to life and death dramas large and small.  The stench of rotting fish belly-up in virulent blue-green algae seems to decree a warning and the first lightning glares at me — an impossibly long flash — as I paddle hard for the end of the lake where the creek begins. 

The next 20 minutes are a pointless race in the wrong direction through the curves of a creek that widens to 80 yards or shrinks to 10, ending at a small waterfall whose edge I tease with the bow of the canoe as I turn back.  And now, as if it has been waiting to stare me in the face, the wind rushes at me beneath a blackened sky, like the rank breath of a bruised boxer on the assault.  As a writer, I have all I need of seeing stories and feeling them.  Time to make shore, haul the canoe out, take shelter.  Feel free to jump out on the bank and make for the gazebo at the foot the bridge, if you like.  But — and this is optional — I want the adventure. 

This is it.  The main event.  The limit to be tested.  So now the lightning goes crazy, winking like flash bulbs capturing the “you want it, you got it” moment.  I dig the paddle into the chop with long J strokes side to side, trying to knife the heart of the wind and still negotiate the bends of the creek.  The excitement, the uncertainty, the burn as muscles fill with lead — this is what I work out for.  It is impossible not to laugh with exhilaration, just as it is impossible not to be afraid.

What is probably hundreds of strokes seems like thousands, but then I am under the last bridge and around the final curve onto the lake where the wind catches me and spins me completely around.  BIG chop.  Lightning is spidering all over the place now.  I am obliged to sweep back into the creek to try again.  This time I round the turn, but I can barely make progress along the banks.  The canoe is driven under every leaning trunk held above the lake surface by dead branches.  And here comes this tent caterpillar-webbed thing that threatens to engulf my head, and the wind is pushing me into it, so I swing the paddle to snap off the branches, only I swing too hard and the branches snap easily and the canoe is going over.  I grab onto what is left of the trunk sticking out of the lake shore bank.  Hardly matters, as a slashing rain erupts now, and the wind and lightning take charge, and I am hanging onto twisted branches to keep from being blasted back to the creek. 

A gamut of boat docks separates me from my house half a mile away, and I’ll never be able to paddle around them.  Something similar happened to me a few years back, only it was just wind then, and I was in a sailboat (the SS Plastic), so now — thoroughly soaked — I do what I did then: I jump out and drag the hull home through the shallows African Queen style.  

Yeah, totally unnecessary mini-odyssey.  But a hoot.  And the best part is stripping down in the garage, throwing my clothes in the dryer, and sitting in a hot bath to savor the impressions.  The ready-made adventure is obvious, but the elements of story are more subtle than that.  From my neighbor’s warning, which could be an element of foretelling in any tale, to the indelible sensory imprint of a rising storm, and the contagion of wing, fin and claw scurrying in primal panic for survival, I have been in touch with what life is all about.  It didn’t have to be that dramatic.  But it did have to engage me – my body, my mind, my spirit.  I had to interact. 

If you got out of the canoe back at the gazebo on the creek, you got all you needed in the way of insights.  Light and air infused your body, you touched palpable reality, and life paraded its truisms past your eyes.  Fragments of dramas, romances and comedies entered your experience, paralleling, confirming and inspiring what you already know.  They joined thousands of other fragments available to you which collectively may stir the poetry and wisdom that is in your soul.  They are the fuel of your creative process, the Cliff Notes, the cheat sheet, the Rolodex, the cribbed prompts written on the palm of your imagination.  Search for just that much every day and you will never lack for a metaphor, simile, thing & event, or insight to express your deepest passions. 

Now all you need is an audience – be it a soulmate or the world.

Finally, a very special notice: editor Denise Wydra – daughter of our beloved and illustrious colleague Frank Wydra who passed away in 2008 – has collected his Gonquin Table essays and other material in a professional book available here at http://www.lulu.com/browse/search.php?fListingClass=0&fSearch=Frank+Wydra   True to his wishes, at his final services Flamingo Frank was propped up in his casket with a silver dollar and a glass of Jack in his hands.  Do you get a sense of legacy from that?  The man can never die, and I am honored that my funeral oration for him and a column are also included in the book. 

May I also invite you to receive my Sullygrams free?  Email me at mn333mn@earthlink.net and I’ll add you to the list.  Your thoughts are welcome, your attention valued.

Thomas “Sully” Sullivan

http://www.thomassullivanauthor.com   

http://twitter.com/thomassullivan

Thomas Sullivan: WOULD YOU WRITE A BOOK FOR ME? or WHAT DO YOU REALLY KNOW ABOUT SEX, LOVE AND TERROR?

April 16th, 2010 22 comments

Yoo hoo!  Attention everyone who has been broomed out of a job by Donald Trump.  And you uncounted millions over and above the counted millions who all are out of work — gotta minute?  Also to the rejected, the downtrodden, day dreamers, spurned lovers, adventurers, searchers, fantasizers, philosophers, natural-born psychologists, sob sister, questers, trapped housewives, romantics, gigolos, Delilahs, or otherwise unfulfilled souls with holes in their lives, I’ve got a job for you.  You’re hired!  If you want to be. 

Here’s the standard contract:

On call 24/7.  Report to shift muse.  Irregular hours, no days off.  Weekly pay = 0.  Monthly pay = 0.  Guaranteed annual income = 0.  Retirement = 0.  Health insurance = 0 (think of the “0” as the first letter of Obamacare, as in your first free brain surgery is a frontal Obama-ty).  Paid vacation  = 0.  Additional employee benefits = 0.  In case of actual sale and publisher eventually coming across with the green scratch, subtract Federal tax, State tax, Local tax, both ends of FICA, 15% agent fee, additional agent fee if sub-agenting, business expenses, and all fees, penalties and taxes yet to be invented hereafter in the known and unknown Universe.    

Agreeable?  Good.  Congratulations, you are now a fully functioning writer.  Take a pen with you the next time you go into the bathroom (hopefully you’ll find paper already there).  Here’s your first project:

See, I’ve got some questions and the research is murder.  No, no, not murder as in research for a mystery (though there’s some spooky stuff I’d like help with too); actually, my questions go more toward character relationships, emotional stuff –you know, whathcamacallits…gender relationships, sexual romance and whatever.

Like I said, the research is a killer, on account of my approach to romance is a little out of the mainstream.  Actually, I’ve only met one woman whose instincts/thinking about “luv” were the same as mine, so what do I know about normalcy?  I have two requirements for falling in love with a woman.  One, she must be totally insane and two, she must be utterly intransigent.  The insanity is necessary so that she will fall in love with me in the first place, and stone solid stubbornness ensures that communication will be blocked at some point, effectively annihilating all that I am and leaving me free and independent once again.  Yeah, it’s partly theory, but that’s because of my extremely limited experience, having kept myself off the market 99% of the time (why are you applauding?).  Hello?  Ah…still there and semi-conscious?  Good.  So I figure I can shortcut the research by getting the benefit of your experience and insight.  Here are six questions, five of which you’ll see could underwrite relationships:

If a woman HAD to choose, would she rather have a man be emotionally faithful to her or physically faithful?  And if a man HAD to choose, would he rather have a woman be physically faithful to him or emotionally faithful?

Fear, guilt, love.  Which one drives the bus?  Which one motivates the strongest?  Which one trumps?  And especially I’d like to hear views on which one(s) win if they go head to head against each other.

Which of the following two nightmares would be the scariest: just as you are about to awaken you 1) feel cool air all around you and know that when you open your eyes you will find yourself on a two-foot wide rock ledge jutting out from the side of a cliff, staring into a steaming abyss 9,000 feet below, or 2) you sense that a person who has been dead for a long time and that you miss the most in your life is lying conscious in the bed beside you, though they don’t seem to be breathing.

React to this statement: men are great dumb beasts when it comes to communication and love, but women train in those skills from early ages and are far more practical about emotions over time.

React to this statement: a man is less likely to fall romantically in love with a woman than a woman is with a man, but if he does, he falls hopelessly and idealistically in love whereas most women are more realistic.

React to this statement: living fully and loving fully (romantically) are mutually exclusive.

Feel free to e-mail me your responses at mn333mn@earthlink.net or just chunk something in below where it asks for Comments.  I rather suspect that writing a novel this way is going to be the ol’ making-sausage method.  Not pretty, but if it fries up nice in the pan, well, the proof is in the . . . uh, pudding (no), putting (no), sausage (no), blood pudding (no), eating (no) – you see why I’m hiring this out?  Hiring being euphemistic.  I mean, I hope the phrase “you get what you pay for” doesn’t apply here, ‘cause this ship sails empty.  Think of it as a balloon payment on your future as a writer.  And you know what balloons are filled with.  Floating off now…

Please use your newly hired imagination to pretend the photo above is relevant (floating…empty ship = empty canoe floating on ice pack).  It’s from my monthly newsletter which you can get free just by emailing mn333mn@earthlink.net .  The newsletter is mostly inspirational stories and a rave about nature w/photos that has a large and growing global readership.  Past newsletters are at this author’s website under Sullygrams & Columns (http://www.thomassullivanauthor.com/sullygrams.htm ) and usually go up within 1 day of being sent out. 

May I also invite you to follow me on Twitter?  It’s just something fun you can peep at without having to interact.  The only thing that changes after you create an account by making up a username and password is that when you click on your account page you’ll see the tweets of anyone you wish to follow, though they won’t see you.  Or simply click this link anytime: http://twitter.com/thomassullivan.  Sample of a recent Tweet:  The Easter Bunny just saw his shadow. Which means we’ll have 6 more weeks of basketball…    Your thoughts are welcome, your attention valued.

Thomas “Sully” Sullivan

http://www.thomassullivanauthor.com   

http://twitter.com/thomassullivan

Thomas Sullivan: KIDNAPPED BY MAGIC, WRITING LIQUID GOLD, AND HOW I ESCAPED THE OLYMPICS

March 16th, 2010 29 comments

It’s happening again.  I am suffering from postpartum depression in the wake of an Olympics.  Call this one Vancouver games detox or 50K skinny ski hangover.  It is very similar to what I feel after penning the last word to a novel (been there, done that, as they like to say on Death Row).  In both cases you are caught up in something sublime if not surreal.  You’ve stumbled onto a yellow brick road, fallen down a rabbit hole, passed through a mirror.  Magic has kidnapped you, and life ceases to be a series of pedestrian events — washing clothes, cooking meals, getting the kids off to school — that are an end in themselves.  Suddenly there is adventurous content in your life and unknowns and the potential for…

PERFECTION.            

That’s what the Olympics and writing have in common.  That redeeming pursuit of excellence.  Doesn’t matter that the athletes run out of condoms, piss their names in the snow, or play air guitar from the podium during their national anthem.  Doesn’t matter that the author falls into a bottle for breakfast, or lives a life of quiet desperation whenever he/she is cut off from their secret passion.  The cracks and the flaws do not contaminate the liquid gold of the dream.  What matters is the pursuit of excellence.  What matters is the courage to put yourself in gear for that far horizon, even if you travel only a few steps during stolen moments every day.  The waste and the shame come not with failing to get there but only in failing to set out.  To allow fear of failure or the vanity of guilt to direct your one and only life is the same as hunkering down in the middle of the herd as if you never lived at all.  That is the crime of a cowardly soul and an affront to whatever created you. 

So I love people who dare reach for perfection.  Dreamers.  Risk-takers.  Love them all the more when they fail.  Love them still more when they fail and it doesn’t defeat them.  A writer who keeps faith with his/her pure dream despite unrelenting rejection is still in-process to succeed.  Failing is never failing until you give up, and a journey doesn’t end until you stop moving.  Most of all, I love those who never give up and never stop moving.

You know what I’m talking about.  You’ve been there.  Been made to feel foolish or childish for dreaming.  There is always pressure to conform to the majority who do give up and do stop moving.  Being different is dangerous.  After all, “who do you think you are?”  So, when we get hammered enough by disappointment, most of us resign ourselves, compromise, “mature.”  Thus, the athlete who seeks only medals and hears only applause quits staying fit when the medals and the applause are out of reach; the wannabe author tucks away their mss and demotes themselves to lesser expectations; the life of quiet desperation anesthetizes itself with spectatorship and stupor.  They have reached their destination.  RIP.  But the dreamer, the romantic idealist, the Peter Pan immature oddball keeps trying, and that makes it a lifestyle (at least a closet lifestyle).  Which is how they win at last: by remaining a participant in the Olympics of the Heart, Mind and Soul

BECAUSE NOW THE EXCITEMENT, HOPE AND VITALITY OF THE ONGOING JOURNEY WILL LAST FOREVER! 

Impractical?  Don’t tell that to the part of yourself that secretly dreams, that wants to stay hopeful.  Idealism is realism of the soul.  In the territory of the heart, surrender and resignation should never be called being realistic.  That is an inversion of the latter term.  The needs of the inner soul (not to be confused with innersole) should not play second fiddle 24/7 to appearances demanded by society.  If fulfilling practical obligations means canceling out who you are, you have morphed into a zombie.  There should be nothing unrealistic about self-honesty trumping conformity especially if you don’t fit your circumstances.  That may be inconvenient, but so is personal extinction.  As Gerard Houarner, psychiatrist and one of our esteemed writers here at Storytellersunplugged, mentioned in his last column, being realistic is often considered anti-social. 

But not for Olympians.  At least not during those precious few days every four years when it’s all about performance and society focuses in vicariously.  Those of us audacious enough to try and capture the world’s attention with our writing know the excitement and stress well.  Stories are like single events and novels are like decathlons.  You may be judged by pace and style or beauty and daring.  The rules and execution tricks of language carry their own rewards and penalties for success or failure.  You can lose or win appreciation points from the reader or be totally disqualified if you wander off course.  And as you race ever faster through the baffles and turns of your plot, each chapter becomes another gate in a grand slalom that must be negotiated before the next chapter can be aligned.  A cast of characters is inevitably the source of conflict, competing head-to-head for something or staggered in their interplay or as conspiratorial as a relay, and as these vie and collide they will produce heroes and villains in skeins of interwoven dramas.  Those conflicts may be pulse-pounding with raw physical action or as lyrical as a ballet on ice, but always there will be a countdown to the resolution.  A clock may actually be ticking.  Certain things go hand-in-hand in the tableaux that the writer presents, as in the focused events of an Olympics: risk and reward, heart and mind, body and soul, substance and style.  You are, for all the preparation and execution of your endeavor, presenting the world made simple.  Life through a reduction valve.  Whether that comes out in a series of fictional scenes or the symbolic goals and performance of an Olympic event, it is editing.  But don’t wait for society to give you a gold medal after the fact.  If your dreams are threatening to others, find a secret venue to perform them every day and write on with liquid gold…    

The doctored photo of the Flying Tomato at the head of this article is from folk singer Mark Manrique (Doc Foto), whose novelty pix are a regular feature with which readers of my monthly newsletter are familiar.  The newsletter is mostly inspirational stories and a rave about nature w/photos that has hundreds of subscribers globally.  I’ll be happy to put you on the mailing list for free if you email me at mn333mn@earthlink.net .  Past newsletters are at this author’s website under News & Articles (http://www.thomassullivanauthor.com/News.htm ) and usually go up within 1 day of being sent out. 

May I also invite you to follow me on Twitter?  It’s just something fun you can peep at without having to interact.  The only thing that changes after you create an account by making up a username and password is that when you click on your account page you’ll see the tweets of anyone you wish to follow.  Or you can simply click this link anytime: http://twitter.com/thomassullivan .  Samples of my recent Tweets: Skis ran slow in the soft snow today.  Like the woman in the bikini, I should have waxed.  And … I have a 1-word solution for the killer whale: SUSHI   And … Valentine’s Day: I shall visit a place where a woman once married me in her heart, mind & soul, and loved me with her body.   Your thoughts are welcome, your attention valued.

Thomas “Sully” Sullivan

http://www.thomassullivanauthor.com   

http://twitter.com/thomassullivan